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Remember, too, that these are just 2D representations. ProPhoto RGB only includes those values because it allows the gamut of real colors to be larger than that of other color spaces, including sRGB and Adobe RGB.

They arenвЂ™t especially important to this discussion, though. You physically cannot see them thatвЂ™s what makes them imaginary. We call these imaginary colors just to induce fear in other photographers. ProPhoto RGB is the largest of the three вЂ“ and possibly the most interesting, since it includes вЂњcolorsвЂќ outside what we can see. The diagram above represents every color we can see, although note that itвЂ™s a two dimensional figure (x and y axis only), so it doesnвЂ™t account for darker colors, i.e., luminance. (If no one can see it, itвЂ™s not a вЂњcolorвЂќ anyway вЂ“ colors are subjective like that.) You may have seen an illustration like this before: All the colors the human visual system can see. And yes, that includes painting more lightly to let some of the white canvas shine through.ДЄ good way to envision color spaces is to look at a set of all the colors people can see.

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If you have two paints (say, red and blue) plus a white canvas, your entire color space is just the colors you can make by mixing the two paints.

It just means a set of colors вЂ“ a container, almost. вЂњColor spacesвЂќ is not some fancy term meant to confuse or bewilder. SRGB, Adobe RGB, and ProPhoto RGB are three of the most commonly used color spaces in photography. What Are sRGB, Adobe RGB, and ProPhoto RGB?

What About Monitor Calibration and Profiling?ДЎ.

When Should You sRGB, Adobe RGB, and ProPhoto RGB?.

Do Photos in Large Color Spaces Have More Colors than Others?.

What Are sRGB, Adobe RGB, and ProPhoto RGB?.

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